Marina holds a BA in English Studies at the Universidad de Sevilla, an MA in English Literature and Linguistics at the Universidad de Granada and an Erasmus Mundus MA in Gender and Women’s Studies (GEMMA) at the Universidad de Granada and Utrecht University. Before joining EUTERPE, she had already participated in different international conferences in literary studies, such as the European Beat Studies Network conferences. She was part of the organizing committee of the upcoming 13th Feminist New Materialism’s conference that will be held in Granada in 2026. Marina is interested in different kinds of artistic forms, especially in poetry, bodily performances, and dancing, as well in their potential intersections, as working with and through the body is one of her major passions. At the moment, she is working on her PhD project that looks into contemporary poetry written by Latin-American and Eastern Europe migrants that are living in Europe, where she applies queerfeminist and decolonial theories/methodologies to approach issues of translation and mobility, looking into queerness as an word(l)dy entanglement that can mobilize poetical/political responses and underscore the relational approach that emerges from the somatic-discursive. In previous publications, she approached the poetry of female Beat Generation author Diane di Prima through a feminist new materialist approach, underscoring how di Prima’s subversive and countercultural literary production embodies different modes of diffractive relationality.

Contributions:

Guerrero, MC & Invernizzi, A 2024, Figures of resistance: Revisiting cinema and poetry with hospit(able)ness and response-ability. in B Revelles-Benavente & A Sánchez-Espinosa (eds), Feminist Literary and Filmic Cultures for Social Action: Gender Response-able Labs. Routledge Taylor & Francis Group, London, pp. 65-77.