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Jaya Jacobo Coventry University Researcher Jaya Jacobo is a transfeminine thinker and artist based at Coventry University where she currently does work on trans feminist pedagogies in literature, art and performance. She has worked alongside travesti and transsexual women artists, scholars and community workers in Rio de Janeiro, Brazil, as well as with trans, queer and nonbinary Filipina/x/o performers from the Philippines and Filipino diaspora abroad. Jacobo was a former Board Member of the Society of Trans Women of the Philippines (STRAP), a former President of the Film Desk of the Young Critics Circle (YCC) of the Philippines, a Founding Co-Editor of Queer Southeast Asia: A Transgressive Journal of Literary Art and Co-Editor of BKL: Bikol/Bakla, Anthology of Bikolnon Gay Trans Queer Writing . Jaya is the author of Arasahas , her debut volume of poetry in Filipino from Savage Mind Publishing House. Publications: Jacobo, Jaya. 2024. “A Love That Burns Hot Enough to Last: Scenes from Trans Tropical Love”. ETropic: Electronic Journal of Studies in the Tropics 23 (1):18-24. Adriany, V, Bong, SA, Curtin, B, Jacobo, J & Luther, JD. 2022. "Pedagogy of queer studies beyond empire." in S Tang & HY Wijaya (eds), Queer Southeast Asia. 1 edn, Taylor and Francis - Balkema, pp. 243-265.

Utrecht University Sandra Ponzanesi Principal Investigator Birgit M. Kaiser Researcher

Team Utrecht Sandra Ponzanesi Principal Investigator Sandra Ponzanesi is Chair and full Professor of Media, Gender and Postcolonial Studies in the Department of Media and Culture Studies at Utrecht University, Netherlands, where she is also the Founding Director of the Postcolonial Studies Initiative (PCI ). She has published widely in the field of media, postcolonial studies, digital migration and cinema, with a particular focus on Postcolonial Europe from comparative and interdisciplinary perspectives. She is currently project leader of the project ‘Virtual Reality as Empathy Machine : Media, Migration and the Humanitarian Predicament ’ funded by NWO (Dutch Research Council) and Utrecht University PI with Birgit Kaiser in the MSCA EUTERPE project on ‘European Literatures and Gender from a Transnational Perspective’, responsible for (WP 5, WP6): Transnational women intellectuals, multilingualism and decolonising European pedagogies. More info: https://www.uu.nl/staff/SPonzanesi Birgit M. Kaiser Researcher Birgit M. Kaiser is Professor of Comparative Literature at Utrecht University. She holds a BA and MA in Sociology from Bielefeld University and a PhD in Comparative Literature from New York University. In fall 2009/2010, Birgit was Chair of Western European Literatures (Vertretungsprofessur) at the European University Viadrina, Frankfurt (Oder). Birgit has also been visiting researcher at the Department of Philosophy at Paris Nanterre University (spring 2017) and at the Department of Women’s, Gender and Sexuality Studies at The Ohio State University (fall 2017/2018), as well as DFG-Mercatorfellow at Leuphana University Lüneburg (fall 2023/24). Research profile Birgit's research spans literatures in English, French and German from the 19th to the 21st centuries, always with a focus on literature as a mode of poetic knowledge production. Specific research interests are the relation of literature and philosophy, theories of subjectivity (post-structuralist, feminist new materialist, psychoanalytic, and ecosophical), the history of aesthetics and affect, multilingualism and un/translatability in literature, as well as post- and decolonial literary critique. Intersecting post/decolonial with feminist new materialist approaches, Birgit also works on changing forms of critique and criticality in the 21st century, as well as contemporary methods of reading. Research collaborations and leadership With Kathrin Thiele, Birgit founded the interdisciplinary research network Terra Critica and together they coordinate the network since its beginning in 2012. Terra Critica holds annual international academic meetings as well as regular ReadingRoom sessions for a wider public in Utrecht (in collaboration with Casco Art Institute). The network has established collaborations with a range of leading international academic institutions in Europe, Australia, the USA and Asia. She is currently coordinator of the research community "Critical Pathways ", an interdisciplinary research community within the UU strategic theme Pathways to Sustainability, focusing on a just sustainability. "Critical Pathways" brings together colleagues from the faculties of Humanities, Geosciences, Social and Behavioural Sciences, and Law, Economics and Governance. "Critical Pathways" researches how to move beyond an understanding of sustainability narrowly focused on technological solutions and how to address social and cultural norms, political power relations, and global inequalities in order to make more sustainable futures possible. Since 2022, Birgit is researcher and supervisor in the EU-HORIZON MSCA Doctoral Network "European Literatures and Gender from a Transnational Perspective" (EUTERPE ; 2022-2026), which brings together gender and transnational perspectives within an interdisciplinary approach to literary and cultural studies. EUTERPE is a collaboration of Central European University Vienna, University of Oviedo, University of Granada, University of York, University of Coventry, University of Lodz, University of Bolgona and Utrecht University, supervising and training a group of eleven PhD candidates. In this context, Birgit is also on the editorial board of the open source publication Dictionary of Transnational Women’s Literature in Europe (CEU Press) with key concepts and bio-bibliographic entries on leading representatives of the field. Between 2016-2020, she was a core member and researcher of “Creativity in World Literatures: Languages in Dialogue”, a research network funded by the UK Arts & Humanities Research Council within the Open World Research Initiative (OWRI). Publications Her book Figures of Simplicity. Sensation and Thinking in Kleist and Melville (SUNY 2011) explores—with recourse to Heinrich von Kleist, Herman Melville, G. W. Leibniz, and Alexander Baumgarten—alternative conceptions of aesthetics and dimensions of thinking lost in the disciplinary narration of aesthetics after Kant. Rather than being ignorant or stupid, the “simpletons” that populate the writings of Kleist and Melville display a way of affective thinking, whereby Kleist and Melville continue a key line within eighteenth-century aesthetics: the relation of rationality and sensibility. The book reflects on what thinking looks like if we take affectivity into account and how literature is a practice that continues to raise this question. Birgit's second monograph Hélène Cixous's Poetics of Voice: Echo - Subjectivity - Diffraction (Bloomsbury Publishers 2024, open access) is part of the series Bloomsbury Studies in Global Women’s Writing (editors Marie Mulvey-Roberts and Jennifer Gustarargues). It argues that Cixous's poetic fictions, from 1967 to today and in critical conversation with psychoanalysis, present Echo as a figure of relational subjectivity. The book demonstrates how Cixous's writings offer an anti-narcissistic figuration of selfhood that can be called ec(h)ological: critical of colonial appropriation and patriarchal oppression of difference, Cixous pursues how we are always embedded in ecologies with many others, and at the same time how we always carefully negotiate myriads of echoes that make up an "I". Cixous's poetic fictions thereby offer an important critique of modern Man and an alternative fabulation of being human in the Anthropocene. In the context of her research on subjectivity and post/decolonial critique, Birgit has published two edited volumes : Postcolonial Literatures and Deleuze. Colonial Pasts, Differential Futures (with Lorna Burns, Palgrave Macmillan 2012) and Singularity and Transnational Poetics (Routledge 2015). With Kathrin Thiele, she edited a special issue of PhiloSOPHIA: A Journal of Continental Feminism , entitled ‘The Ends of Being Human? Re-turning (to) the Question’ (8/1, 2018). Another edited volume entitled The World in Theory. Rethinking Globalization Through Derrida and Nancy (with Laurens ten Kate and Philip Leonard; Edinburgh University Press) is currently in preparation (forthcoming 2024). Birgit's work has appeared in international journals including Cambridge Journal of Postcolonial Literary Inquiry, International Journal for Francophone Studies, Interventions, Parallax and Textual Practice. She is currently also member of the editorial board of the Dictionary of Transnational Women's Literature in Europe (with Jasmina Lukic (editor-in-chief) and the editorial board of the HORIZON DC-network EUTERPE, Vienna: CEU Press, forthcoming 2027). In the interdisciplinary research network Terra Critica , Birgit's research focuses on the future of the humanities and their critical heritage, as well as on changing forms of critique and criticality in the 21st century. She has edited with Kathrin Thiele a special issue of Parallax on ‘Diffracted Worlds – Diffractive Readings: Onto-Epistemologies and the Critical Humanities ’ (2014; also republished as book in the Routledge Series SPIB , 2018) and two edited volumes : Symptoms of the Planetary Condition: A Critical Vocabulary (with Kathrin Thiele and Mercedes Bunz; meson press 2017, open access) and The Ends of Critique (with Timothy O’Leary and Kathrin Thiele; Rowman & Littlefield 2022, open access). Another Terra Critica collaboration is in preparation (Thinking About Doing: Practice and Theory Across Continents (edited with Anirban Das and Kathrin Thiele; forthcoming with Oxford University Press India, 2025). With Timothy O’Leary and Kathrin Thiele, Birgit is also editor of the book-series New Critical Humanities (Rowman & Littlefield). Links Terra Critica: Interdisciplinary Network for the Critical Humanities Critical Pathways Gender & Diversity - Institutions for Open Societies New Critical Humanities book series (Rowman & Littlefield International) Academia.edu

University of York Boriana Alexandrova Principal Investigator Nicoletta Asciuto Researcher

Publications Reading for Each Other Creative book reviews that facilitate an exchange of literature between doctoral candidates, allowing them to better understand each other's lives and work. Publications by Doctoral Candidates Publications by Doctoral Candidates A collection of writing – papers, articles, peer-reviewed publications, books and other media produced by the doctoral candidates.

Overview Based upon a truly interdisciplinary gendered approach to knowledge production, EUTERPE offers a new and innovative quality of PhD training characterized by synergy between research, training, and supervision Objectives EUTERPE is envisaged as a complex, multilayered project, which has several long-term objectives, connected with very concrete tasks in the intersecting fields of gender studies, literary studies, translation studies and European studies.

Team York Boriana Alexandrova Principal Investigator Dr Boriana Alexandrova is Senior Lecturer in Women’s Studies at the University of York, UK and (together with Dr Nicoletta Asciuto from York’s Department of English & Related Literature) is the Primary Investigator on EUTERPE’s WP10 at York, a part of EUTERPE’s “Translational Genres” research cluster, co-supervising DC 10, Alice Flinta. At York, the team is focusing on creative and (translation) practice-led methods of research into multilingual writers’ innovative ways of crossing the borders between forms, genres, genders, and cultural, racial, and embodied positionalities. Dr Alexandrova brings expertise in literary multilingualism and translation theory, queer and gender studies, artistic and practice-led research methodologies, the medical humanities, and feminist disability studies from European modernism to the contemporary. She is the author of a monograph and peer-reviewed articles on modernist multilingualism, disability, and translation, including: Joyce, Multilingualism, and the Ethics of Reading (Palgrave 2020); “Gender and Feminism” in Contemporary Literature and the Body (Bloomsbury 2023, ed. Alice Hall”); and “Babababblin’ Drolleries and Multilingual Phonologies: Developing a Multilingual Ethics of Embodiment through Finnegans Wake ” (European Joyce Studies 2016), among others. Current research collaborations include a 5-year archival excavation, translation, and anthologisation project on the untranslated late writings of queer and multilingual Surrealist couple Claude Cahun and Marcel Moore, with Dr Birgit Kaiser (Utrecht University), and a new project on “Translingual Pedagogies” with Dr Jaya Jacobo (Coventry University). Nicoletta Asciuto Researcher Nicoletta Asciuto is Senior Lecturer in Modern Literature at the University of York. Her main research interests are in modernism, poetry, and translation. She has published several articles on modernist poetry and poetics, and her monograph Brilliant Modernism: Cultures of Light and Modernist Poetry, 1909-1930 , is forthcoming with Johns Hopkins University Press in 2025. In her monograph, Nicoletta uncovers the gendered nature of cultures of light in the early twentieth century, and discusses the work of many modernist women poets and artists, such as Mina Loy, Lola Ridge, Gwendolyn B. Bennett, Georgia O’Keeffe, Rosa Rosà, Růžena Zátková, Maria Ginanni, Natalia Goncharova, and others. One of her more recent collaborative works was a cluster for Modernism/modernity on the topic of ‘Modernist Periodical Studies and the Transnational Turn’, co-edited with Dr Francesca Bratton (Maynooth University) and Dr Camilla Sutherland (Groningen University). She was also the recipient of British Academy funding for two independent projects, ‘Radio Pioneers and Forgotten Voices, 1924-1939’, with Professor Emilie Morin (University of York), and ‘Cities of Modernism’, with Dr Nan Zhang (Hong Kong University). Nicoletta has also published several literary translations from Italian, Spanish, and Slovenian into English, including, more recently, those for Early Radio: An Anthology of European Texts and Translations , edited by Emilie Morin (Edinburgh University Press, 2023). Nicoletta also acts as Contributing Editor for Translated Literature at the Fortnightly Review . She is currently at work on the first Italian-language translation of Hope Mirrlees’ Paris: A Poem (1920), a neglected masterpiece of modernist poetry. She is an enthusiast polyglot, with knowledge of ten languages. She has given various invited talks nationally and internationally, both on the topic of modernism and on translation. In EUTERPE, Nicoletta is Co-Investigator for York, on the strand ‘Translational genres: crossing borders in gender, form, space, and identity’. She is also a member of EUTERPE’s Supervisory and Editorial Boards.

The aim of EUTERPE: European Literatures and Gender from a Transnational Perspective is to offer an innovative approach to rethinking European cultural production in the light of complex social and political negotiations that are shaping European spaces and identities at present. Latest Publications Reading for Each Other Creative book reviews that facilitate an exchange of literature between doctoral candidates, allowing them to better understand each other's lives and work. Publications by Doctoral Candidates Publications by Doctoral Candidates A collection of writing – papers, articles, peer-reviewed publications, books and other media produced by the doctoral candidates. Project Updates Feminism in the Global South The Susan Stanford Friedman Lecture Series Life Writing Workshop Renewed purpose and perspectives. Reflections on the Black Europe Summer School (Amsterdam, 22 June – 4 July 2025) Exploring Feminisms in a Transnational Perspective at Postgraduate Course in Dubrovnik A Collision with Truth – Palestinian British Voices Panel All news (8) 8 posts

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Justyna Stępień University of Lodz Researcher Justyna Stępień is an assistant professor in the Department of British Literature and Culture and the co-founder of the Posthumanities Research Centre, University of Lodz (Poland). Her research engages with ways of conceiving ethical and political actions in contemporary art, analysed from the methodological perspective of feminist theories, new materialisms, and critical posthumanism. She belongs to an international research group/collective, The Posthuman Art and Research Group (aka Dori. O), which comprises artists and researchers from Europe and Canada. Publications: Stępień, Justyna. 2023. “Augmented (Re)wilding of Urban Entanglements in Jakob Kudsk Steensen’s AR Project the Deep Listener.” Przegląd Kulturoznawczy 58: 503–20. Posthuman and Nonhuman Entanglements in Contemporary Art and the Body (Routledge, 2022).

Adelina Sánchez Espinosa University of Granada Principal Investigator Adelina Sánchez Espinosa is senior Lecturer at the University of Granada and Scientific Coordinator of GEMMA: Erasmus Mundus Master and Consortium in Women's and Gender Studies; PI for the "Reception, modes and gender" Andalusian Research Group and the "Gender Responsible Lecturing Labs: Interfacing cultural and visual cultures Andalusian Research Project of Excellence, UGR PI for H2020 MSCA EUTERPE Project (EUTERPE: European Literatures and Gender in Transnational Perspective") and a Horizon Chanse project: DIGISCREENS Identities and Democratic values on European digital screens: Distribution, reception and representation. She is Series Editor of the Researching with GEMMA collection (Peter Lang) She was the Vice-President of AOIFE (Association of Institutions for Feminist Research and Education in Europe): Director of International Relations for the UGR, Executive Secretary of the UGR Women's Studies Research Institute and Series Editor for the UGR "FEMINAE" Book collection. Publications: Calderón-Sandoval, Orianna, and Adelina Sánchez-Espinosa. 2020. “Feminist Counter-Cinema and Decolonial Countervisuality: Subversions of Audiovisual Archives in Un’ora Sola Ti Vorrei (2002) and Pays Barbare (2013).” Studies in Documentary Film 15 (3): 187–202. Calderon-Sandoval, Orianna, and Adelina Sánchez-Espinosa. 2024. “Queerfeminist Strategies for the Reconstruction of Spanish Memories of the Civil War and Franco’s Dictatorship in El Cuarto de Atrás (1978) and Cartas a María (2015).” Bulletin of Spanish Studies 101 (4): 569–93. Sánchez-Espinosa, Adelina, and Séamus O’Kane. "Interpreting “Translanguages” in Transnational Women’s Literature: Socially Situated Perspectives and Feminist Close-Readings." Social Sciences 14, no. 7 (2025): 414.