Publications by Doctoral Candidates Transnational Feminism and Affective Communities as Resistance to Technopatriarchy: The Instapoetry of Nikita Gill and Monika Radojevic This article aims to provide a feminist approach to community that moves away from patriarchal communitarian models and towards feminist genealogies, an ethics of care, and affective communities. By applying a feminist close-reading methodology to case studies from two transnational poets, Nikita Gill and Monika Radojevic, the authors reveal how Feminist Affective Communities take shape through the interactions between author, text, and readership within a digital, transnational environment." by Séamus O'Kane and Adelina Sánchez Espinosa Estranged From Himself? A Manuscript-Based Analysis of Meursault in L’Étranger This article delves into the manuscript of Albert Camus' L’Étranger to explore the creation and evolution of its enigmatic protagonist, Meursault. Drawing on archival research conducted at the Fonds Albert Camus in Aix-en-Provence, Alice Flinta examines Camus' linguistic and syntactic choices, revealing how Meursault's character organically emerged through the writing process. by Alice Flinta Rethinking Knowledge, Unthinking the Brahminical: Dalit Feminism and Gender-Caste This article introduces a Dalit decolonial feminist standpoint as an epistemic and political framework that redefines feminist thought through four interrelated pillars. It argues that decolonial and postcolonial frameworks remain constrained by their inability to recognise caste as the meta-structure that organises social relations, epistemic hierarchies, and modernity itself. by Uthara Geetha Amsterdam through a (Trans)national Gaze: A Conversation with Life Writing Author Alejandra Ortiz Alejandra Ortiz, author of De waarheid zal me bevrijden, offers readers an opportunity to see Amsterdam from her (trans)national gaze. Through this piece, she shares how Amsterdam has influenced her identity as a woman, writer and activist, and her feelings of (non)belonging. by María Auxiliadora Castillo Soto Fictions of Race in Contemporary French Literature : French Writers, White Writing by Étienne Achille and Oana Panaïté (review) Solidly rooted in postcolonial theory and practice, Fictions of Race in Contemporary French Literature shines a spotlight on the great ghost of contemporary conversations on race: the ‘unnamed, unmarked, and thus structurally invisible’ Hexagonal, liberal, White writer (p. 7). by Alice Flinta Reimagining the Past and Rethinking the Other:The Significance of Creative Historical Revision in Bernardine Evaristo’s The Emperor’s Babe (2001) and Blonde Roots (2008) This article examines how contemporary transnational feminist author Bernardine Evaristo uses historical revision and counter-discursive narrative techniques in The Emperor's Babe (2001) and Blonde Roots (2008) to rethink the paradigms of Self and Other. by Evangeline Scarpulla An Act of Life: Georgian Women’s Film and Being Human in Relation These are lessons learned from watching Georgian films directed by women. Lessons about agency, perspective, background noise that shapes our lives, how being human is done in relation, and the possibility of turning toward each other so that we may overturn the doom. by Ninutsa Nadirashvili Making Waves... of Words We agreed that we wanted to see what we make of words – and what words make of us. Weaving together two of the many concerns that the EUTERPE Project grapples with, feminism and migration, we came up with the idea of facilitating an interactive game of scrabble played on a world map: a wor(l)d map. by Evangeline Scarpulla and Alice Flinta Our Time in Utrecht: Transnational reflections What you see here is a collaborative collage and a co-written creative reflection made with love by the seven of us – transnational students who found each other during a fall semester at Utrecht University. by Ninutsa Nadirashvili Conveying Migrant Experiences through Literature This opinion piece argues that autobiographical writing can be a powerful tool, especially for people with a migrant background, to diversify the stories in our collective consciousness—and to reclaim ownership of your life story on a personal level. by María Auxiliadora Castillo Soto Maps and Fabulations: On Transnationalism, Transformative Pedagogies, and Knowledge Production in Higher Education Using a creative critical account of feminist ethnography conducted at a Western European university, the paper presents and discusses two illustrative vignettes about cultural mapping and critical fabulation, considering how dissonant voices have challenged Western concepts, exemplifying transformative pedagogy working in tandem with transnational thought. by Ninutsa Nadirashvili and Katherine Wimpenny Interpreting “Translanguages” in Transnational Women’s Literature: Socially Situated Perspectives and Feminist Close-Readings This article employs a series of feminist close-readings to explore the use of "translanguages" in the work of the Algerian novelist and film-maker, Assia Djebar, and the Dutch-Uruguayan poet, Maxime Garcia Diaz, and demonstrates how their literature subverts patriarchal and monolingual hegemony to promote transnational feminist solidarity. by Adelina Sánchez-Espinosa and Séamus O’Kane Contested Communities: Small, Minority and Minor Literatures in Europe ed. by Kate Averis, Margaret Littler and Godela Weiss-Sussex (review) Contested Communities is an ambitious study that uncovers a complex net of relationalities, within Europe and beyond, starting from the language question within the literary domain. by Alice Flinta Postcolonial Intellectuals: Exploring Belonging Across Borders in Igiaba Scego’s La mia casa è dove sono (My Home Is Where I Am) This article focuses on the life writing narratives of diasporic writers in Europe, such as the Italian writer of Somali descent Igiaba Scego, who manages to create powerful interventions on issues of belonging, diversity, and creativity. by Sandra Ponzanesi and María Auxiliadora Castillo Soto Writing (a) Home in Times of Crisis: A Review of Scattered All Over the Earth (2018) by Yoko Tawada This review explores contemporary Japanese-German author Yoko Tawada's engagement with the concepts of migration, home, and belonging in her 2018 dystopian cli-fi novel Scattered All Over the Earth. by Evangeline Scarpulla Challenging the Idea of Europe: Representations of Female Transnational Experiences in Chérissa Iradukunda's Broken Object This analysis considers Chérissa Iradukunda's Broken Object as an alternative discourse to the traditional idea of Europe as superior and universal. by María Auxiliadora Castillo Soto Challenging European Identity: Representations of Female Transnational Experiences in Marrón by Rocío Quillahuaman This paper examines how the representations of female experiences in Marrón, a transnational Life Writing text written by Rocío Quillahuaman, challenge a hegemonic European identity. by María Auxiliadora Castillo Soto

Carla Rodríguez González University of Oviedo Researcher Carla Rodríguez González is Senior lecturer in English at the University of Oviedo, Spain, where she teaches in the Erasmus Mundus GEMMA and in the Gender and Diversity Master’s Degrees. Her research focuses on contemporary Scottish literature, as well as on postcolonial, gender, space and cultural studies. She is co-PI (with Isabel Carrera Suárez) of the research project “World-travelling: Narratives of Solidarity and Coalition in Contemporary Writing and Performance” (2022-2025), funded by the Spanish National R&D Programme. She was the coordinator of the Gender and Diversity Master’s Degree at the University of Oviedo, Spain (2019-2023). Publications: "Liz Lochhead and Jackie Kay" In A Companion to Scottish Literature . First edition. Hoboken, NJ: Wiley Blackwell, 2024. Durán-Almarza, Emilia María, Carla Rodríguez González, and Suzanne Clisby. Performing Cultures of Equality. Routledge, 2022.

Team Utrecht Sandra Ponzanesi Principal Investigator Sandra Ponzanesi is Chair and full Professor of Media, Gender and Postcolonial Studies in the Department of Media and Culture Studies at Utrecht University, Netherlands, where she is also the Founding Director of the Postcolonial Studies Initiative (PCI ). She has published widely in the field of media, postcolonial studies, digital migration and cinema, with a particular focus on Postcolonial Europe from comparative and interdisciplinary perspectives. She is currently project leader of the project ‘Virtual Reality as Empathy Machine : Media, Migration and the Humanitarian Predicament ’ funded by NWO (Dutch Research Council) and Utrecht University PI with Birgit Kaiser in the MSCA EUTERPE project on ‘European Literatures and Gender from a Transnational Perspective’, responsible for (WP 5, WP6): Transnational women intellectuals, multilingualism and decolonising European pedagogies. More info: https://www.uu.nl/staff/SPonzanesi Birgit M. Kaiser Researcher Birgit M. Kaiser is Professor of Comparative Literature at Utrecht University. She holds a BA and MA in Sociology from Bielefeld University and a PhD in Comparative Literature from New York University. In fall 2009/2010, Birgit was Chair of Western European Literatures (Vertretungsprofessur) at the European University Viadrina, Frankfurt (Oder). Birgit has also been visiting researcher at the Department of Philosophy at Paris Nanterre University (spring 2017) and at the Department of Women’s, Gender and Sexuality Studies at The Ohio State University (fall 2017/2018), as well as DFG-Mercatorfellow at Leuphana University Lüneburg (fall 2023/24). Research profile Birgit's research spans literatures in English, French and German from the 19th to the 21st centuries, always with a focus on literature as a mode of poetic knowledge production. Specific research interests are the relation of literature and philosophy, theories of subjectivity (post-structuralist, feminist new materialist, psychoanalytic, and ecosophical), the history of aesthetics and affect, multilingualism and un/translatability in literature, as well as post- and decolonial literary critique. Intersecting post/decolonial with feminist new materialist approaches, Birgit also works on changing forms of critique and criticality in the 21st century, as well as contemporary methods of reading. Research collaborations and leadership With Kathrin Thiele, Birgit founded the interdisciplinary research network Terra Critica and together they coordinate the network since its beginning in 2012. Terra Critica holds annual international academic meetings as well as regular ReadingRoom sessions for a wider public in Utrecht (in collaboration with Casco Art Institute). The network has established collaborations with a range of leading international academic institutions in Europe, Australia, the USA and Asia. She is currently coordinator of the research community "Critical Pathways ", an interdisciplinary research community within the UU strategic theme Pathways to Sustainability, focusing on a just sustainability. "Critical Pathways" brings together colleagues from the faculties of Humanities, Geosciences, Social and Behavioural Sciences, and Law, Economics and Governance. "Critical Pathways" researches how to move beyond an understanding of sustainability narrowly focused on technological solutions and how to address social and cultural norms, political power relations, and global inequalities in order to make more sustainable futures possible. Since 2022, Birgit is researcher and supervisor in the EU-HORIZON MSCA Doctoral Network "European Literatures and Gender from a Transnational Perspective" (EUTERPE ; 2022-2026), which brings together gender and transnational perspectives within an interdisciplinary approach to literary and cultural studies. EUTERPE is a collaboration of Central European University Vienna, University of Oviedo, University of Granada, University of York, University of Coventry, University of Lodz, University of Bolgona and Utrecht University, supervising and training a group of eleven PhD candidates. In this context, Birgit is also on the editorial board of the open source publication Dictionary of Transnational Women’s Literature in Europe (CEU Press) with key concepts and bio-bibliographic entries on leading representatives of the field. Between 2016-2020, she was a core member and researcher of “Creativity in World Literatures: Languages in Dialogue”, a research network funded by the UK Arts & Humanities Research Council within the Open World Research Initiative (OWRI). Publications Her book Figures of Simplicity. Sensation and Thinking in Kleist and Melville (SUNY 2011) explores—with recourse to Heinrich von Kleist, Herman Melville, G. W. Leibniz, and Alexander Baumgarten—alternative conceptions of aesthetics and dimensions of thinking lost in the disciplinary narration of aesthetics after Kant. Rather than being ignorant or stupid, the “simpletons” that populate the writings of Kleist and Melville display a way of affective thinking, whereby Kleist and Melville continue a key line within eighteenth-century aesthetics: the relation of rationality and sensibility. The book reflects on what thinking looks like if we take affectivity into account and how literature is a practice that continues to raise this question. Birgit's second monograph Hélène Cixous's Poetics of Voice: Echo - Subjectivity - Diffraction (Bloomsbury Publishers 2024, open access) is part of the series Bloomsbury Studies in Global Women’s Writing (editors Marie Mulvey-Roberts and Jennifer Gustarargues). It argues that Cixous's poetic fictions, from 1967 to today and in critical conversation with psychoanalysis, present Echo as a figure of relational subjectivity. The book demonstrates how Cixous's writings offer an anti-narcissistic figuration of selfhood that can be called ec(h)ological: critical of colonial appropriation and patriarchal oppression of difference, Cixous pursues how we are always embedded in ecologies with many others, and at the same time how we always carefully negotiate myriads of echoes that make up an "I". Cixous's poetic fictions thereby offer an important critique of modern Man and an alternative fabulation of being human in the Anthropocene. In the context of her research on subjectivity and post/decolonial critique, Birgit has published two edited volumes : Postcolonial Literatures and Deleuze. Colonial Pasts, Differential Futures (with Lorna Burns, Palgrave Macmillan 2012) and Singularity and Transnational Poetics (Routledge 2015). With Kathrin Thiele, she edited a special issue of PhiloSOPHIA: A Journal of Continental Feminism , entitled ‘The Ends of Being Human? Re-turning (to) the Question’ (8/1, 2018). Another edited volume entitled The World in Theory. Rethinking Globalization Through Derrida and Nancy (with Laurens ten Kate and Philip Leonard; Edinburgh University Press) is currently in preparation (forthcoming 2024). Birgit's work has appeared in international journals including Cambridge Journal of Postcolonial Literary Inquiry, International Journal for Francophone Studies, Interventions, Parallax and Textual Practice. She is currently also member of the editorial board of the Dictionary of Transnational Women's Literature in Europe (with Jasmina Lukic (editor-in-chief) and the editorial board of the HORIZON DC-network EUTERPE, Vienna: CEU Press, forthcoming 2027). In the interdisciplinary research network Terra Critica , Birgit's research focuses on the future of the humanities and their critical heritage, as well as on changing forms of critique and criticality in the 21st century. She has edited with Kathrin Thiele a special issue of Parallax on ‘Diffracted Worlds – Diffractive Readings: Onto-Epistemologies and the Critical Humanities ’ (2014; also republished as book in the Routledge Series SPIB , 2018) and two edited volumes : Symptoms of the Planetary Condition: A Critical Vocabulary (with Kathrin Thiele and Mercedes Bunz; meson press 2017, open access) and The Ends of Critique (with Timothy O’Leary and Kathrin Thiele; Rowman & Littlefield 2022, open access). Another Terra Critica collaboration is in preparation (Thinking About Doing: Practice and Theory Across Continents (edited with Anirban Das and Kathrin Thiele; forthcoming with Oxford University Press India, 2025). With Timothy O’Leary and Kathrin Thiele, Birgit is also editor of the book-series New Critical Humanities (Rowman & Littlefield). Links Terra Critica: Interdisciplinary Network for the Critical Humanities Critical Pathways Gender & Diversity - Institutions for Open Societies New Critical Humanities book series (Rowman & Littlefield International) Academia.edu

Séamus O'Kane Séamus O’Kane is a PhD candidate at the Institute of Women’s and Gender Studies at the University of Granada and his mobility period will take place at the University of Lodz. He holds an MA in Humanities from TU Dublin and he is also a graduate of the Erasmus Mundus Master’s in Children’s Literature, Media and Culture (CLMC). As part of this programme, he completed an internship researching digital literature for children for the Bibliotheek LocHal, Tilburg, and wrote a thesis on transmedia narratives at Aarhus University. His current research continues his interests in digital literature, adaptations and transmedia narratives. He will analyse a range of media to investigate discourses of communications technology, new media and the mediated world, and how these interrelated phenomena impact upon interpersonal relationships, selfhood and agency in transnational women’s literature. Research topic “Transnational literatures in the making: dialogues with film, social media, streaming platforms, performative arts and new literary genres”. Previous Next

Tamara Cvetković Central European University Doctoral Candidate Tamara Cvetković holds a master’s degree in Gender Studies from Central European University and bachelor’s degree in Comparative Literature and Literary Theory from the University of Belgrade. Prior to her engagement as a Junior Visiting Researcher within the EUTERPE Project: European Literatures and Gender from a Transnational Perspective and the enrollment in Ph.D. Program in Comparative Gender Studies at CEU in 2023/2024, she spent several years working as a program manager in an NGO based in Serbia that dealt with migration issues, intercultural education, and interdisciplinary approaches to transcultural phenomena. Over this period, her main areas of interest were gender studies, transnational migration, postcolonialism/decolonial theory, Orientalism/Balkanism, feminist and critical pedagogy, use of literature and art in activism. Her research focuses on the literary production of transnational women-identified contemporary authors from the Balkans whose work thematize migration, identity, linguistic and cultural translation, as well as their complex relationships with literary ‘classics.’ Focusing mainly on the authors from the Western Balkans, she plans to analyze border-crossings and travelling though physical and imagined geographies, fictional worlds, literary traditions and genres, and cultural traditions with an aim to map their trajectories through the lens of feminist interpretation as well as to map cultural translations that are framing their works. In addition, her aim is to explore the ways in which they (re)use literary ‘classics’ in revolutionary ways (Standford Friedman, 2019) to create new works, and how these works continue their transnational circulation. Contributions: Review of Sexe et mensonges by Leïla Slimani

A Conversation with Marta Olivi on Translation In this podcast, doctoral candidate Evangeline Scarpulla speaks with translator Marta Olivi. During the conversation we discuss Marta’s four major English to Italian translation projects: Canta Ancora, Ragazza (2022), a translation of Jacqueline Roy’s The Fat Lady Sings (2000); L’Antropocene Inconscio (2022), a translation of Mark Bould’s The Anthropocene Unconscious (2021); Paradiso Terrestre (2024), a translation of Laura Vandenberg’s State of Paradise (2024); and selected poems from Molly Brodak's The Cipher (2020). Olivi also talks about her approach to translation work, the intersections between translation and academic research, and the importance of translation in today's transnational literary landscape. We hope that you enjoy listening to this podcast. Since recording this episode, Marta Olivi has completed three additional translation projects: Dolce il Frutto, Aspra la Terra (2025), a translation of Rebecca Ley’s Sweet Fruit, Sour Land (2018); Isabella Nagg e il Vaso di Basilico (2025), a translation of Oliver Darkshire’s Isabella Nagg and the Pot of Basil (2025); and Dungeon Crawler Carl: Il Giorno del Giudizio (2026), a translation of Matt Dinniman’s Carl's Doomsday Scenario (2021). The episode transcript can be accessed here . This episode is part of the EUTERPE podcast Library on European Literatures and Genders from a Transnational Perspective. The podcast is powered by the European Union, UKRI, and the Central European University Library. Grant Agreement: 101073012 EUTERPE HORIZON-MSCA-2021-DN-01 Project. For more information about the EUTERPE project please refer to the official project webpage https://www.euterpeproject.eu/ , or follow us on Instagram @euterpe_project_ or Facebook at EUTERPE Doctoral Network Project . This episode was produced and edited by Evangeline Scarpulla . Thank you to Alexander Walker for the music and to Alice Flinta for the voice over. Thank you also to Ninutsa Nadirashvili, Evangeline Scarpulla, and Kris Orszaghova for designing the podcast covers.

Sandra Ponzanesi Utrecht University Principal Investigator Sandra Ponzanesi is Chair and full Professor of Media, Gender and Postcolonial Studies in the Department of Media and Culture Studies at Utrecht University, Netherlands, where she is also the Founding Director of the Postcolonial Studies Initiative (PCI ). She has published widely in the field of media, postcolonial studies, digital migration and cinema, with a particular focus on Postcolonial Europe from comparative and interdisciplinary perspectives. She is currently project leader of the project ‘Virtual Reality as Empathy Machine : Media, Migration and the Humanitarian Predicament ’ funded by NWO (Dutch Research Council) and Utrecht University PI with Birgit Kaiser in the MSCA EUTERPE project on ‘European Literatures and Gender from a Transnational Perspective’, responsible for (WP 5, WP6): Transnational women intellectuals, multilingualism and decolonising European pedagogies. Publications: Leurs, K., & Ponzanesi, S. (Eds.) (2024). Doing Digital Migration Studies: Theories and Practices of the Everyday . (Media, Culture and Communication in Migrant Societies). Amsterdam University Press. De Medeiros, P., & Ponzanesi, S. (Eds.) (2024). Postcolonial Theory and Crisis . (culture & conflict; Vol. 25). De Gruyter.

Item List Our Time in Utrecht: Transnational reflections Read More This is a Title 02 Read More This is a Title 03 Read More

Team Coventry Katherine Wimpenny Principal Investigator Katherine Wimpenny, PhD, MA, DipCOT, CertEd, is a Professor of Research in Global Education at the Research Centre for Global Learning, Coventry University, UK. She is the Theme Lead for ‘Education without Boundaries’ and has 24+ years of experience in higher education research and practice. Katherine’s research with colleagues, locally and globally, is grounded in comprehensive internationalisation, emphasising inclusive pedagogies, interdisciplinarity, social justice, decolonisation, and the role of the ethically engaged university. Her research considers a diversity of learning spaces (digital, face-to-face, blended, formal, informal, and non-formal) that interweave to impact educational opportunities that can connect international learning communities and the university to its locale. She is experienced in a range of approaches to inquiry, including Qualitative Research Synthesis, Arts-Based Educational Research, Participatory and Action Research, Appreciative Inquiry, and Transdisciplinary Feminist Research, including Post Qualitative Inquiry. Jaya Jacobo Researcher Jaya Jacobo is a transfeminine thinker and artist based at Coventry University where she currently does work on trans feminist pedagogies in literature, art and performance. She has worked alongside travesti and transsexual women artists, scholars and community workers in Rio de Janeiro, Brazil, as well as with trans, queer and nonbinary Filipina/x/o performers from the Philippines and Filipino diaspora abroad. Jacobo was a former Board Member of the Society of Trans Women of the Philippines (STRAP), a former President of the Film Desk of the Young Critics Circle (YCC) of the Philippines, a Founding Co-Editor of Queer Southeast Asia: A Transgressive Journal of Literary Art and Co-Editor of BKL: Bikol/Bakla, Anthology of Bikolnon Gay Trans Queer Writing . Jaya is the author of Arasahas , her debut volume of poetry in Filipino from Savage Mind Publishing House. Suzanne Clisby Employability Mentor Suzanne Clisby (FRSA) is Professor of Education and Social Justice at the University of Lincoln with longstanding experience and expertise in academic research and leadership, teaching and authorship. She has conducted over 15 research projects, totalling circa. £8m and has trained numerous scholars in feminist methodological approaches and qualitative methods. She provides expertise in gender analyses, participatory development, life history narrative methods and creative praxis across a range of academic and NGO contexts, including a University of Iceland/UNESCO international fellowship programme. Professor Suzanne Clisby was the UK PI of the Horizon Europe European MSCA EUTERPE project (2022-24) and continues to work closely with the EUTERPE Consortium as a Special Project Advisor, Supervisory Expert Advisor (Coventry) and Employability Mentor (Granada). Professor Clisby was the Co-Director of the UKRI GCRF Global Gender and Cultures of Equality  (GlobalGRACE) Project (2017-2022), PI and Director of the Horizon 2020 MSCA Gender and Cultures of Equality in Europe (GRACE) Project (2015-2019), and, for over a decade, Co-Editor of the Journal of Gender Studies. Her research focuses on gender, education and development. Her publications and edited collections include Gendering Women: identity and mental wellbeing through the life course  (with Holdsworth, 2016, Policy Press), in which she provides a materialist feminist analysis of the symbolic, structural and visceral violence of everyday encounters with constructions of gender; The State of Girls Rights in the UK  (with Alsop, 2016, New Internationalists Publications); Theorising Cultures of Equality  (with Johnson & Turner, 2020, Routledge); Gender, Sexuality and Identities of the Borderlands: Queering the Margins  (2020, Routledge); Investigating Cultures of Equality (with Golańska and Różalska, 2022, Routledge); and Performing Cultures of Equality (with Durán-Almarza and Rodríguez-González, 2022, Routledge).

Europe beyond Europe. On Macau, water heritage, and “the language of women.” A conversation with Mariana Pinto Leitão Pereira. Mariana Pinto Leitão Pereira is a heritage and diaspora researcher, and in this podcast she talks to York-based EUTERPE candidate Alice Flinta about what it means to be and grow up as Macanese. Having lived through Macau’s transition period and vividly remembering the handover day, she reflects on identity at the historical and political fringes of Europe, as well as what feelings of belonging are possible when the landscape changes in the blink of an eye and childhood geographies morph. As the Macanese are the “Sons of the Land” who have been led to redefine their footing time and again beyond their physical territory, we wonder whether belonging, which many populations already experience as fluid, would be better encapsulated by the flowing delta, by the changing courses of waterscapes. The episode transcript can be accessed here . Further resources: Dóci Papiaçám de Macau [The sweet language of Macau]: https://www.youtube.com/c/docipapiacamdimacau Hespanha, A. M. (2019). Filhos da Terra: Identidades Mestiças nos Confins da Expansão Portuguesa . Tinta da China. Jorge, C. (2020) Poemas para Macau . Livros do Oriente Pereira, M. P. L. (forthcoming) "Deltascapes: The Heritage of Macao’s Waterborne Communities amidst the Geoeconomics of the Pearl River Delta". International Journal of Heritage Studies . About Deolinda da Conceiçāo: https://app.pt/escritora-do-mes-itinerarios-de-pesquisa-deolinda-da-conceicao/ This episode is part of the EUTERPE Podcast Library on European Literatures and Genders from a Transnational Perspective. The podcast is powered by the European Union, UKRI, and the Central European University Library. Grant Agreement: 101073012 EUTERPE HORIZON-MSCA-2021-DN-01 Project. For more information about the EUTERPE project please refer to the official project webpage https://www.euterpeproject.eu/ , or follow us on Instagram @euterpe_project_ or Facebook at EUTERPE Doctoral Network Project . This episode was produced and edited by: Alice Flinta. With thanks to the Creativity Lab and Podcast studio team at the University of York. Thank you to Alexander Walker for the music. Thank you also to Ninutsa Nadirashvili, Evangeline Scarpulla and Kris Orszaghova for designing the podcast covers.

Coordinator: CEU PU Vienna, Austria Principal Investigator: Jasmina Lukic Funding: Marie Skłodowska–Curie Actions – Doctoral Network (MSCA DN) Duration: 1 October, 2022 - 31 September, 2026 Grant Ref: EP/X02556X/1. The aim of EUTERPE: European Literatures and Gender from a Transnational Perspective is to offer an innovative approach to rethinking European cultural production in the light of complex social and political negotiations that are shaping European spaces and identities at present. EUTERPE intends to do that by bringing together gender and transnational perspectives within an interdisciplinary approach to literary and cultural studies. The research is organized into 8 work packages within four main areas: 1. Transnational women’s literature and its travels: points of entry and pathways (WP 1, WP2); 2. Translational genres: crossing borders in gender, form, space, and identity (WP 3, WP4); 3. Transnational women intellectuals, multilingualism and decolonising European pedagogies (WP 5, WP6); 4. Transnational literature and cultural production: intermediality as a form of translation (WP7, WP8). The Doctoral Candidates’ academic training will include two supervisors from cooperating universities, a compulsory secondment period, and an industrial internship with an Associated Partner organization to support bespoke employability enhancement. The major impact outputs of the project: 11 PhD theses; a co-produced open-source Dictionary of Transnational Women’s Literature in Europe with key concepts and bio-bibliographic entries on leading representatives of the field; and a Digital Catalogue and Podcast Library , which will make accessible all relevant material collected during the creation of the Dictionary. As a complex, interdisciplinary project, EUTERPE brings together literary and gender studies, as well as transnational studies, translation studies, migration studies and European studies. This project has received funding from the European Union's Horizon Europe research and innovation programme under grant agreement nr. 101073012. This project has received funding from the UK Research and Innovation (UKRI) Research Grant, Grant Ref: EP/X02556X/1. News York Festival of Ideas: Voices of Resistance At the beginning of June, York-based doctoral candidate Alice Flinta organised and chaired an event on contemporary Palestinian Literature, as part of the annual York Festival of Ideas. The event brought together Ghazzawi writer Sondons Sabra and Comma Press editor James Harker for a conversation and live readings from Voices of Resistance. Diaries of Genocide (Comma Press, 2025). James spoke about the context and editorial development of this powerful collection of testimoni Borders: Literary, Cultural and Political Dialogues During May 18th and 21th, doctoral candidates Marina Casado Guerreo (CEU) and Olga Fenoll Martinez (UŁ) attended and presented their PhD projects at the international interdisciplinary conference – “Borders: Literary, Cultural and Political Dialogues” – taking place in the University of Athens, Greece. The conference, organised by the Department of English Language & Literature of the National and Kapodistrian University of Athens and the Hellenic Association for the Study o 13th International Feminist New Materialisms Conference: Enfleshing Literature Beyond Words On June 1st and 2nd, different members of the EUTERPE Project attended and participated at the 13th International Feminist New Materialisms Conference: Enfleshing Literature Beyond Words. The conference aimed to plore the vibrant "interferences" between feminist new materialisms and literature, moving beyond the idea of literature as mere text enclosed in words so as to approach it as a modality of knowledge —an apparatus "yet-to-come" that allows us to revisit our pasts, inh

University of Bologna Rita Monticelli Principal Investigator Francesco Cattani Researcher Gilberta Golinelli Researcher