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< Back Team Coventry This is placeholder text. To change this content, double-click on the element and click Change Content. This is placeholder text. To change this content, double-click on the element and click Change Content. Want to view and manage all your collections? Click on the Content Manager button in the Add panel on the left. Here, you can make changes to your content, add new fields, create dynamic pages and more. You can create as many collections as you need. Your collection is already set up for you with fields and content. Add your own, or import content from a CSV file. Add fields for any type of content you want to display, such as rich text, images, videos and more. You can also collect and store information from your site visitors using input elements like custom forms and fields. Be sure to click Sync after making changes in a collection, so visitors can see your newest content on your live site. Preview your site to check that all your elements are displaying content from the right collection fields. Previous Next

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Button Team Utrecht Sandra Ponzanesi Principal Investigator Sandra Ponzanesi is Chair and full Professor of Media, Gender and Postcolonial Studies in the Department of Media and Culture Studies at Utrecht University, Netherlands, where she is also the Founding Director of the Postcolonial Studies Initiative (PCI ). She has published widely in the field of media, postcolonial studies, digital migration and cinema, with a particular focus on Postcolonial Europe from comparative and interdisciplinary perspectives. She is currently project leader of the project ‘Virtual Reality as Empathy Machine : Media, Migration and the Humanitarian Predicament ’ funded by NWO (Dutch Research Council) and Utrecht University PI with Birgit Kaiser in the MSCA EUTERPE project on ‘European Literatures and Gender from a Transnational Perspective’, responsible for (WP 5, WP6): Transnational women intellectuals, multilingualism and decolonising European pedagogies. More info: https://www.uu.nl/staff/SPonzanesi Birgit M. Kaiser Researcher Birgit M. Kaiser is Associate Professor of Comparative Literature and Transcultural Aesthetics at Utrecht University. She holds a BA and MA in Sociology from Bielefeld University and a PhD in Comparative Literature from New York University. In fall 2009/2010, Birgit was Chair of Western European Literatures (Vertretungsprofessur) at the European University Viadrina, Frankfurt (Oder). Birgit has also been visiting researcher at the Department of Philosophy at Paris Nanterre University (spring 2017) and at the Department of Women’s, Gender and Sexuality Studies at The Ohio State University (fall 2017/2018), as well as DFG-Mercatorfellow at Leuphana University Lüneburg (fall 2023/24). Between 2019 and 2021, she served as Head of Section of Comparative Literature at Utrecht University. Birgit's research spans literatures in English, French and German from the 19th to the 21st centuries, always with a focus on literature as a mode of poetic knowledge production. Specific research interests are the relation of literature and philosophy, theories of subjectivity (post-structuralist, feminist new materialist, psychoanalytic,  and ecosophical), the history of aesthetics and affect, multilingualism and un/translatability in literature, as well as post- and decolonial literary critique. Intersecting post/decolonial with feminist new materialist approaches, Birgit also works on changing forms of critique and criticality in the 21st century, as well as contemporary methods of reading. Button

Button Team CEU Jasmina Lukić  Principal Leader Jasmina Lukić is Professor with the Department of Gender Studies at Central European University in Vienna, the Principal Leader for EUTERPE: European Literatures and Gender from a Transnational Perspective, a Marie Curie Doctoral Network project (101073012  EUTERPE HORIZON-MSCA-2021-DN-01 Project, 2022-26), and the CEU Coordinator for EM GEMMA MA Program in Women's Studies and Gender Studies. She has published two monographs, numerous articles, and book chapters in literary studies, women’s studies, and Slavic studies. Her most recent publications are the edited volume Times of Mobility: Transnational Literature and Gender in Translation  (with Sibelan Forrester and Borbála Faragó, CEU Press 2019); “ To Dubravka Ugrešić, with Love”, CEU Review of Books  (No 1/2023); and “Reading Transnationally: Literary Transduction as a Feminist Tool”, in Swati Arora, Petra Bakos-Jarrett, Redi Koobak, Nina Lykke, and Kharnita Mohamed (eds.), Pluriversal Conversations on Transnational Feminisms: And Words Collide from a Place  (Routledge 2024). Petra Bakos Researcher Petra Bakos is an interdisciplinary literary scholar, arts writer, and embodied writing facilitator. Her research focuses on the South Pannonian borderlands, and the floating debris of empires and other high-hope state formations in the tsunami of market-driven populism. Presently she is the scientific coordinator of the EUTERPE project, as well as a researcher of EUTERPE’s Work Package 1: Transnational Turn in Literary Studies: Looking from Central and Eastern Europe, writing biocritical entries on Judita Šalgo and Katalin Ladik, among others. She is also a long-standing affiliate of CEU Romani Studies Program. Latest publication: Lykke, Nina, Redi Koobak, Petra Bakos, Kharnita Mohamed and Swati Arora (eds.) 2024. Pluriversal Conversations on Transnational Feminisms – And Words Collide from a Place . London and New York: Routledge. Noemi Anna Kovacs European Cooperation Officer Noemi joined Central European University in 2009. Her professional career started when she graduated from Pázmány Péter Catholic University and completed her MA degree in Humanities and Liberal Arts with two specialisations, one in Romanic Studies/Italian Language, History and Literature and another in English and American Studies/English Language, History and Literature. During university, she worked as a language teacher and freelance translator. Later on, as a fresh graduate, a book publishing house hired her as the in-house editor. Before joining CEU, Noemi had been working on large EU- and state-funded research projects for an independent, interdisciplinary research institute, Collegium Budapest – Institute for Advanced Studies. At CEU, Noemi’s portfolio ranges from individual postdoctoral fellowships to large multi-beneficiary EU-funded research and educational projects. Her responsibilities include pre- and post-award management of such grants and projects, be it legal or financial matters or the development of dissemination, communication, and cooperation strategies. Kris Országhová Project Administrator Kris Orszaghova (they/them) holds a Master’s in Artistic Research from Hogeschool Voor de Kunsten Utrecht and a PhD in Sociology from Charles University in Prague. Kris Orszaghova (they/them) holds a Master’s in Artistic Research from Hogeschool Voor de Kunsten Utrecht and a PhD in Sociology from Charles University in Prague. As an artist-athlete-scholar, they explore the intersections of art and social inquiry. Their research focuses on bodies moving and shifting, meandering and at times floating between the urban centres and peripheries, borders both real and imaginary, between hopes and disillusionments, despair and commitment, discipline and disobedience. Currently, Kris is a visiting faculty and coordinator at the Department of Gender Studies at Central European University and a junior coordinator for EUTERPE: European Literatures and Gender from a Transnational Perspective, a Marie Curie Doctoral Network. Their latest publications include the book chapter "Turn the Volume Up! Boxing Hearts and Beats", featured in Boxing, Narrative and Culture (Routledge, 2023) and the article "The Gender of Bruising: A Critical Literature Review on Gender in Boxing," published in Sociology Compass (2023). In addition to their research, Kris has participated in various exhibitions, including "To Seminar" at bak (basis voor actuale kunst) "Poetry & Performance: The Eastern European Perspective" at Nová synagóga in Žilina, or "Possibility of Preserving" at Kunsthalle Bratislava. Button

Button Team Lodz Dorota Golańska Principal Investigator Dorota Golańska is an associate professor (Cultural Studies and Religion) at the Department of Cultural Research, University of Lodz, Poland. She has degrees in Cultural Studies, Literary Studies and International Studies. Her research interests include feminist approaches to political violence and studies of collective memory, especially in relation to traumatic experiences and their representation in culture. She also works on such issues as creative strategies of resistance as well as intersections of memory, art and activism. Justyna Stępień Researcher Justyna Stępień is an assistant professor in the Department of British Literature and Culture and the co-founder of the Posthumanities Research Centre, University of Lodz (Poland). Her research engages with ways of conceiving ethical and political actions in contemporary art, analysed from the methodological perspective of feminist theories, new materialisms, and critical posthumanism. She belongs to an international research group/collective, The Posthuman Art and Research Group (aka Dori. O), which comprises artists and researchers from Europe and Canada. She is the author of Posthuman and Nonhuman Entanglements in Contemporary Art and the Body (Routledge, 2022), which explores how art can conceptualise the material boundaries of entangled beings. Button

Button Team Oviedo Isabel Carrera Suárez Principal Investigator Isabel Carrera Suárez is Professor in English at the University of Oviedo, her research centres on the intersections between postcoloniality and gender. She first taught at the University of Glasgow and has been a visiting scholar at the universities of Calgary, Flinders, Adelaide, Tsinghua and King’s College London, among others. She has been a keynote speaker at international conferences, such as the biennial meeting of the European Society for the Study of English, ESSE , and the Spanish Association for English Studies, AEDEAN. Her articles have appeared in international specialist journals such as Interventions, EJES, Journal of Canadian Poetry, International Journal of Canadian Studies, and Australian Literary Studies, and she has collaborated in and coedited many collaborative transnational volumes. Since 2017, she has been co-general editor of the European Journal of English Studies (EJES), a journal of The European Society for the Study of English (ESSE), and was Chair of EACLALS, the European Association for Postcolonial Studies (2017-2021), among other academic responsibilities. She leads the transnational research group Intersections/Intersecciones, recognised as an excellence group by the Agencia Estatal de Investigación (Spanish QA), and the recipient of many R&D competitive projects. Emilia M. Durán-Almarza Researcher Emilia M. Durán-Almarza is Associate Professor of English at the University of Oviedo, Spain. She specializes in Caribbean and Afro-diasporic postcolonial writing and performance. In this field, she has authored a monograph Performeras del Dominicanyork: Josefina Báez and Chiqui Vicioso (PUV 2010) and edited several collective volumes, such Diasporic Women’s Writing. (En)Gendering Literature and Performance (Routledge 2014), Debating the Afropolitan (Routledge 2019) and Performing Cultures of Equality (Routledge 2022). She regularly publishes her research at international peer reviewed journals. In EUTERPE, she serves as leader of WP6, “The role of transnational literatures in the decolonization of understandings of gender within the European academe”, where she supervises Uthara Geetha’s PhD project. Her research focus includes excavating the presence of Anglophone African and Caribbean women writers in Europe. Carla Rodríguez González Researcher Carla Rodríguez González is Senior lecturer in English at the University of Oviedo, Spain, where she teaches in the Erasmus Mundus GEMMA and in the Gender and Diversity Master’s Degrees. Her research focuses on contemporary Scottish literature, as well as on postcolonial, gender, space and cultural studies. Her publications include the monographs Escritoras escocesas en la nueva literatura nacional (U. Illes Balears, 2013), María Estuardo (Madrid, Ediciones del Orto, 2006) and Jackie Kay: biografías de una Escocia transcultural (Oviedo: KRK, 2004). She has also co-edited the books Performing Cultures of Equality (Routledge, 2022), Debating the Afropolitan (Routledge, 2019), Nación, diversidad y género. Perspectivas críticas (Anthropos, 2010), Culture & Power: The Plots of History in Performance (Cambridge Scholars, 2008) and Historia y representación en la cultura global (KRK, 2008). She has also guest edited special issues for the journals European Journal of English Studies , Papers on Language and Literature and Complutense Journal of English Studies . She has translated into Spanish short stories by Jackie Kay and Suhayl Saadi, published in 2 annotated volumes with an introduction: Las últimas fumadoras /Grace y Rose (2008), Las reinas de Govan /Oscuridad (2022). She is co-PI (with Isabel Carrera Suárez) of the research project “World-travelling: Narratives of Solidarity and Coalition in Contemporary Writing and Performance” (2022-2025), funded by the Spanish National R&D Programme. She was the coordinator of the Gender and Diversity Master’s Degree at the University of Oviedo, Spain (2019-2023). Button

Button Team York Boriana Alexandrova Principal Investigator Dr Boriana Alexandrova is Senior Lecturer in Women’s Studies at the University of York, UK and (together with Dr Nicoletta Asciuto from York’s Department of English & Related Literature) is the Primary Investigator on EUTERPE’s WP10 at York, a part of EUTERPE’s “Translational Genres” research cluster, co-supervising DC 10, Alice Flinta. At York, the team is focusing on creative and (translation) practice-led methods of research into multilingual writers’ innovative ways of crossing the borders between forms, genres, genders, and cultural, racial, and embodied positionalities. Dr Alexandrova brings expertise in literary multilingualism and translation theory, queer and gender studies, artistic and practice-led research methodologies, the medical humanities, and feminist disability studies from European modernism to the contemporary. She is the author of a monograph and peer-reviewed articles on modernist multilingualism, disability, and translation, including: Joyce, Multilingualism, and the Ethics of Reading (Palgrave 2020); “Gender and Feminism” in Contemporary Literature and the Body (Bloomsbury 2023, ed. Alice Hall”); and “Babababblin’ Drolleries and Multilingual Phonologies: Developing a Multilingual Ethics of Embodiment through Finnegans Wake ” (European Joyce Studies 2016), among others. Current research collaborations include a 5-year archival excavation, translation, and anthologisation project on the untranslated late writings of queer and multilingual Surrealist couple Claude Cahun and Marcel Moore, with Dr Birgit Kaiser (Utrecht University), and a new project on “Translingual Pedagogies” with Dr Jaya Jacobo (Coventry University). Nicoletta Asciuto Researcher Nicoletta Asciuto is Senior Lecturer in Modern Literature at the University of York. Her main research interests are in modernism, poetry, and translation. She has published several articles on modernist poetry and poetics, and her monograph Brilliant Modernism: Cultures of Light and Modernist Poetry, 1909-1930 , is forthcoming with Johns Hopkins University Press in 2025. In her monograph, Nicoletta uncovers the gendered nature of cultures of light in the early twentieth century, and discusses the work of many modernist women poets and artists, such as Mina Loy, Lola Ridge, Gwendolyn B. Bennett, Georgia O’Keeffe, Rosa Rosà, Růžena Zátková, Maria Ginanni, Natalia Goncharova, and others. One of her more recent collaborative works was a cluster for Modernism/modernity on the topic of ‘Modernist Periodical Studies and the Transnational Turn’, co-edited with Dr Francesca Bratton (Maynooth University) and Dr Camilla Sutherland (Groningen University). She was also the recipient of British Academy funding for two independent projects, ‘Radio Pioneers and Forgotten Voices, 1924-1939’, with Professor Emilie Morin (University of York), and ‘Cities of Modernism’, with Dr Nan Zhang (Hong Kong University). Nicoletta has also published several literary translations from Italian, Spanish, and Slovenian into English, including, more recently, those for Early Radio: An Anthology of European Texts and Translations , edited by Emilie Morin (Edinburgh University Press, 2023). Nicoletta also acts as Contributing Editor for Translated Literature at the Fortnightly Review . She is currently at work on the first Italian-language translation of Hope Mirrlees’ Paris: A Poem (1920), a neglected masterpiece of modernist poetry. She is an enthusiast polyglot, with knowledge of ten languages. She has given various invited talks nationally and internationally, both on the topic of modernism and on translation. In EUTERPE, Nicoletta is Co-Investigator for York, on the strand ‘Translational genres: crossing borders in gender, form, space, and identity’. She is also a member of EUTERPE’s Supervisory and Editorial Boards. Button